Many of my original instruments survive, but the majority do not. Here are some photos and descriptions.
Clavichord. Cherry, spruce, and other woods, with serigraph inlay. Keyboard/metal hardware from kit, all remainder hand-built. 1968. Sold; pictured with singer Linda Kay, ca. 1970; no full photo survives. Built for personal use. |
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Early Electronic Instruments. 1969-1973. All reused and then lost; no photos known to exist. The closest is this photo from 1973 of where I built them. Built for numerous compositions, including syne-4. The only surviving composition using these instruments is Construction in Sliding Tones (1970) |
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Juicedrum. Juice cans on fir frame. 1971. Original lost; no photos known to exist. Built for Withered, and rebuilt in 2002 for a reprise performance. The Juicedrum can be heard in Withered (1971) |
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Rose Organ. Roses and oscillators. 1973. Wilted. Built for Trans/Media Minifest. Although a site recording exists, I have not yet remounted and copied this very old tape. |
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Bellzebub. Brass bells, wrenches, and other resonant objects on fir frame. 1975. Dismantled; Built for several pieces at the Trans/Media Benefit Concert. A concert recording exists and will be posted when available. |
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Chimes I & II. Glass chimes on fir frame. 1975. Dismantled; no photos known to exist; original plans shown here became chimes for Plasm over ocean. Built for Cy-gît. No recordings of this instrument were made. |
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Headbuzzer. Supersonic oscillators and control surfaces. 1975. Dismantled Built for Caution:MergingEnvironments. No recordings of this installation were made. |
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Fortepiano. Maple, cherry and spruce. 1976. "Self-destroyed" when it collapsed while being chipped to tune; no photos known to exist This image is of the pinblock, which was salvaged and reused in the Hharp (below). |
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Brass Chimes. Brass on fir frame. 1976. Dismantled. Now a wind chime in Roxbury, Vermont. Built for Plasm over ocean; a recording can be heard on that site. |
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Glass Chimes. Laboratory glass on fir frame. 1976. Dismantled. Glass rods now in storage. Body burned. Built for Plasm over ocean; a recording can be heard on that site. |
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Hharp. Maple, spruce, and plexiglas. 1977. Damaged but intact. Built for Plasm over ocean; a recording can be heard on that site. |
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Glassharmonica. Bowls, candles and resonators. 1977. Never built. Intended for Plasm over ocean. |
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Gong. Brass with silkscreen (not yet applied in this 1977 photo). 1977. At the studio of David Gunn. Built for Plasm over ocean; a recording can be heard on that site.
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Uncello. Maple, plexiglas, and glass. 1977. Destroyed. Built for Plasm over ocean; a recording can be heard on that site (second movement is best).
Four images from Livingston High School, New Jersey, where the students built a replica of the uncello in oak, the "MolCello". It was built using the original plans, rather than the final design:
Three images from Mark Hutchins and his project replicating the Uncello. His is done in cherry. |
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Defrocked Autoharp. 1978. In storage; no photos yet taken. Built for Missa da Camera. The Defrocked Autharp can be heard in the Credo from Missa da Camera (1978) |
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Miniharp. Maple and mahogany. 1978. Whereabouts unknown. Built for Ash Wednesday. The Miniharp can be heard in Ash Wednesday (1983) |
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Monofilament. Organ pipe and fishing line, with cello bow. 1978. Dismantled. Built for Christian Wolff in Hanover and also used in Echo; a recording can be heard on that site. |
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Ovarian Xylophone. Birch trunk, maple, and fresh eggs, with contact microphone. 1978. Burned. Built for Christian Wolff in Hanover. A recording of this instrument exists, and will be posted when available. |
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Buzzophone. Fir and buzzers. 1978. Built for Christian Wolff in Hanover. A recording of this instrument exists, and will be posted when available. |
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Exlophon. Maple on fir and rope frame. 1981. Burned. No recording of this instrument exists. |
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Triangulum. Maple and spruce. 1981. In storage. Built for Echo; a recording can be heard on that site. |
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Xsynface. Analog/digital circuits and plastic case. 1981. |
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Rhythmatron. Analog/digital circuits and copper-clad board case, with handmade keyboard. 1982. Lost. Built for David Gunn's Armies of Mice. A recording was made and will be posted when found. |
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Organism. Maple, cherry, and lucite, with 37 tuned oscillators. 1983. In storage; to be restored; photo here shows lucite pipes (inset). Built for Ash Wednesday. The Organism an be heard in Ash Wednesday (1983) |
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Nighthawk. Computers and light sensors with intelligent algorithms. 1984. Dismantled. Built for Nighthawk and also used in Echo and In Bocca al Lupo; a recording can be heard on that site.
The Nighthawk can be heard in In Bocca al Lupo (1986) |
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Mirrorgarden. Mirrors and sunlight, with hurricane lamp. 1985. In storage. Built for Permutrance V. |
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Candleharp. Plexiglas and circuits, with candles in lucite frame. 1985. Lost in house fire when on loan. Built for Echo; a recording can be heard on that site. |
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The Infernal Machine. Fir and pulleys with attached hand-percussion instruments. 1985. Dismantled and burned. Built for Echo; a recording can be heard on that site. |
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Windharp. Maple, brass and mahogany. 1985. Whereabouts unknown. Built for Echo; a recording can be heard on that site. |
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Jingles. Tongue depresser, string, and washers. 1985. Given to audience; these three left on the floor, with washers missing. Some survive. 100 pieces made for Echo; a recording can be heard on that site. |
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Forkklang. Maple and spruce with identical tuning forks. 1994. Damaged, in storage. Built for Unisons. The Forkklang can be heard in Unisons (1994) |
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Diskklang. Fir and hard disks. 1994. Dismantled, in storage. Built for Unisons. The Diskklang can be heard in Unisons (1994) |
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Simple Dulcimer. Maple, black cherry, ash, phosphor bronze strings. 2013. In storage. Built as a demo at the Champlain Maker Faire. | |
Children's Bells. Retuned bell set. 2013. With the performer. Built for The Forest at the South Field. The Children's Bells can be heard in The Forest at the South Field (2013) |
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