December 16,Amsterdam: Cithara-Cantus Cantoris (a WAAM piece). Samuel Vriezen. Goethe Institute.
December 2, (tentative)Sudbury, Massachusetts: Come, come! (a WAAM piece). Presbyterian Church Choir of Sudbury, Matthew Guerrieri, director.
November 10,Colchester, Vermont: New Granite (a WAAM piece), for chamber ensemble. Vermont Contemporary Music Ensemble. St. Michael's College, 8pm. Pre-concert talk at 7:15pm.
November 9,Montpelier, Vermont: New Granite (a WAAM piece), for chamber ensemble. Vermont Contemporary Music Ensemble. Unitarian Church, 8pm. Pre-concert talk at 7:15pm.
November 2,Norwich, Vermont: Turn Around, Bustle & Blaze (a WAAM piece), for viola, horn, cello & piano. Blazing Calfe Bustlers. Norwich Congregational Church, 7pm.
October 21,Montpelier, Vermont: Turn Around, Bustle & Blaze (a WAAM piece), for viola, horn, cello & piano. Blazing Calfe Bustlers. Montpelier Unitarian Church, 7pm.
October 20,Burlington, Vermont: Turn Around, Bustle & Blaze (a WAAM piece), for viola, horn, cello & piano. Blazing Calfe Bustlers. University of Vermont Recital Hall, 8pm.
October 19,Orlando: Extracts from several compositions for Bathory: The Blood Countess. Empty Spaces Theatre Company, John and Rita Lowndes Shakespeare Center, Mandell Theatre, 812 E. Rollins Street. Through November 3.
October 13,Randolph, Vermont: Full House Reset (a WAAM piece), for piano trio. Trio Tulsa. Chandler Music Hall, 8pm.
October 4,Valley Glen, California: Morning in Nodar (a WAAM piece), for double bass. Thomas Peters, double bass. Los Angeles Valley College..
September 29,Pasadena: Morning in Nodar (a WAAM piece), for double bass. Thomas Peters, double bass. Marjorie Branson Performance Space at the Boston Court Performing Arts Complex, 8pm.
September 28,Sydney: filouria for electronic playback, at Live Wires, Syndney Conservatorium of Music, University of Sydney Workshop Hall, as part of the Vox Novus 60x60 Project
September 16,Waterbury Center, Vermont: For the Beauty of the Earth (a WAAM piece), for violin. Thomas L. Read, violin. Orr House Concert, 4pm.
August 22,Galway: filouria for electronic playback, at Nightclub Stress, Deburgo's, St. Augustine Street, as part of the Vox Novus 60x60 Project
August 12,Montpelier, Vermont: Drumbing, for eight hands. Montpelier Unitarian Church. The Long Roll Ensemble.
July 30,Long Island, New York: filouria for electronic playback, at Adelphi University Ruth S. Harley University Center Ballroom, as part of the Vox Novus 60x60 Project
July 16,Ottawa: Soundings and Détente (both WAAM pieces). Carson Cooman, organ.
June 15,Munich: Future Remembrance for electronic playback (a WAAM piece), at A·Devantgarde festival, Königsplatz München und Hochschule für Musik und Theater as part of the Vox Novus 60x60 Project
June 10,London: Future Remembrance for electronic playback (a WAAM piece), at Amadeus Centre, 50 Shirland Road, Little Venice, as part of the Vox Novus 60x60 Project
June 7,Bremen: Future Remembrance for electronic playback (a WAAM piece), at Theatersaal, University of Bremen as part of the Vox Novus 60x60 Project
Spring, TBA,Johnson, Vermont: Centering (a WAAM piece). Johnson State College Choir directed by Lisa Jablow at the Dibden Center.
May 17, 7:30pm. Glasgow: Yer Attention Please. At Glasgow Pipeworks 2, Kevin Bowyer, organ.
May 15,Hanover, New Hampshire: A Village on the Wind (a WAAM piece). Together with a lecture by the composer. Bregman Studios, Dartmouth College.
Late April, (tentative). Boston: Coarse Salt (a WAAM piece). Michael Straus, soprano sax.
April 28,Nodar, Portugal: First presentation of the video Pão e Nascimento: Nós Cantamos with the first of Three Songs for Manuela and the Pão: Bread Song Variations.
April 26, 8pm. Oberlin, Ohio: filouria for electronic playback, at Fairchild Chapel as part of the Vox Novus 60x60 Project
April 20,Greenville, South Carolina: Étude. Heather East, piano. Bob Jones University. (The Étude waited a full 40 years for its premiere.)
April 14-15,Tulsa: Mountains of Spices (a WAAM piece). Eleva Chamber Players: Willie Docto (violin), Raymond Malone (viola) and Meridith Harrison (mezzo).
April 14,Seia, Portugal: Lecture on the Birth Song Project, with presentation of numerous electroacoustic compositions. Seia Conservatory.
April 13, (tentative). Baltimore: Coarse Salt (a WAAM piece). Michael Straus, soprano sax. Griswold Hall.
April 10-28,Nodar, Portugal: Residency at Binaural Media Nodar Guest Studio for the first phase of Birth Song Worldwide with Stevie Balch.
April 6,Las Vegas: Three-Part Invention. Nadia Shpachenko , piano. University of Nevada.
April 4,Pomona, California: Three-Part Invention. Nadia Shpachenko , piano. California State University.
February 26, 8pm. Denton, Texas: filouria for electronic playback, at Merrill Ellis Intermedia Theatre, University of North Texas as part of the Vox Novus 60x60 Project
February 25,Sudbury, Massachusetts: Come, come! (a WAAM piece). Presbyterian Church Choir of Sudbury, Matthew Guerrieri, director.
January 11-14,New York: Visit my atrium table at the Westin for the Chamber Music America conference!